Discussing the painting Black Door with Sash 2006 (Modern Art Oxford 2008, reproduced p.55), Hume later remarked that by 2007: Unlike other recent ‘Door’ paintings, however, Red Barn Door explicitly moves away from the model of the institutional double swing doors with round or square windows and reflects not just a renewed freedom in Hume’s painting but also, in its American subject matter, confirms that ‘transatlantic romance’ identified by Anfam as one key subject of his recent work. His earliest notable works are his "door paintings", life-size representations of hospital doors. All images via matthewmarks.com. From a distance, because of the glossy paint used by Hume, the painting has the appearance of a reflective red monochrome surface. These paintings of institutional doors, initially based on hospital doors, were both impersonal and democratic in their approach and subject. Ridges of paint at the edges of and inside the light pink sections define further rectangles. These mainly monochrome and two-colour paintings are literal representations of double swing doors, often with round porthole-style windows, made using the type of paint which is normally used to coat the originals. I heard an owl in the night. Bright yellow doors entitled Shine resonate as the aluminium surface lifts the sunshine yellow paint; the exhibition culminates in black painting on black doors - what a journey. We would like to hear from you. That's how I see life. In many ways the key figure of the famous Young British Artist moment, Gary Hume is an English author best known for his highly stylized pictorial depictions of everyday objects created with high-gloss industrial paint. Double Bloom introduces three new paintings of flowers that play with balance, repetition—and the importance of “how things meet.” (Quoted in 'Brilliant', p.45.) Gary Hume book. Hume first received critical acclaim with a body of work known as the "Door" paintings. These monolithic compositions are hand-carved and richly decadent, combining visual motifs from the natural world with imagery suggestive of human birth and fundamental emotions. On moving closer, an image of a pair of wooden barn doors becomes apparent. Red Barn Door, however, is also rather different; here the anonymous, functional and modern aspect of his earlier paintings is replaced by a pair of doors that are homely, reflective of a rural location and to some extent even exotic. In his 2009 paintings of American cheerleaders, entitled “American Tan,” Hume explored … On revisiting the cheerful canary yellow of cheap garage flowers in Shine, the smell of slow grim death comes to me along with the overpowering feeling of helplessness that large institutions can imbue. Next day I found one of those "Happy Birthday" balloons caught in the trees. Hume's contribution was three large canvases covered in mint-white household gloss paint titled Mint Green Doors I-III 1988 (Saatchi Collection, London). Read reviews from world’s largest community for readers. These were life-size representations of hospital doors that were shown in England, Germany and the United States. Hume's art and its development was an interesting journey that saw him change many styles and subjects, starting with the minimalistic, abstract compositions and ending up with much more fluid, borderline lyrical images of animals and celebrities. Young British Artist Gary Hume came to prominence in the early 1990s with his “Door” paintings, a series of life-sized paintings of hospital doors. One aspect of this is Hume’s use of gloss paint, something that has remained a current throughout much of his work. Swing by before visiting times are over. Further reading He usually uses a single colour, and incorporates circles, squares and rectangles to represent the windows and panels of actual doors. For the British Pavilion at the Venice Biennale (1999), he produced the "Water Paintings," large-scale works of multiple, overlapping line drawings of nudes punctuated by flat areas of color. These minimal and abstract works, with their high-gloss paint and insistent reflective surfaces, developed in the early 1990s into a broader set of motifs, such as the nude, the portrait, the garden, as well as a pictorial idiom drawn from childhood, with images of polar bears, snowmen, rabbits, owls and close-up faces. These were life-size representations of hospital doors that were shown in England, Germany and the United States. Artwork page for ‘Incubus’, Gary Hume, 1991 This is one of a number of paintings which Hume based on swing doors found in hospitals. See also our coronavirus info page. Incubus belongs to Hume's series of Door paintings, made between 1989 and 1991. I had to use a totally democratic door. Hume has likened his shiny, painted surfaces to makeup painted over flesh, querying 'what is the surface and what is the imagined surface? Gary Hume was born during the year of 1962, in Tenterden, a town in the Ashford District of Kent, England. This was followed in 2000 with a painting for the staff refectory in the Zurich headquarters of Swiss Re and further paintings in 2001, 2004 and 2006. This book is not yet featured on Listopia. I imagined the owl, utterly indifferent, watching the balloon float by as it slowly collapsed. I used to think of the areas of color as tectonic plates meeting, so in the paintings it’s like there are these molten plates that would hit each other and dry. Start by marking “Gary Hume: Door Paintings” as Want to Read: Error rating book. Gary's Yellow Window (2002) was a genuine milestone for both the author and the British contemporary art history as it broke records when sold at auction at Christie's[3]. I'm not naming the political, but the human. He usually uses a single colour, and incorporates circles, squares and rectangles to represent the windows and panels of actual doors. Gary Hume (b. [4] This principle and approach to art making, as the artist explained himself, caused the simplified, reductive aesthetic that made Gary so important for the YBA moment. The panels were cut to measurements taken from hospital doors. Summary. His earliest notable series of artworks was the now iconic Door Paintings project[2]. This is one of a number of paintings which Hume based on swing doors found in hospitals. He attended Homewood School before he went to study at the Goldsmiths College, where he graduated in 1988. Doors are collaged in a montage for My Guernica, which works as a minimalist mosaic. Hume first received critical acclaim with a body of work known as the "Door" paintings. June 20th 2008 Incubus is a large, glossy pink painting on five, closely abutting Formica panels. His interest in points of contact and the difference between surface and beneath is aptly expressed using the symbol of the door, itself a threshold or barrier between one space and another. It is also defined as a nightmare, or similar oppression. The paintings explore the difference between the painted and the real. They appear abstract, and yet they accurately represent real doors. Red Barn Door was painted in Hume’s house and studio in upstate New York, a place he tends to visit annually each summer, and continues the strand of ‘transatlantic romance’ that the art historian David Anfam identified in Hume’s series of paintings and sculptures exhibited in 2007 under the title American Tan (David Anfam, ‘American Beauty’, in American Tan, exhibition catalogue, White Cube, London 2007, p.7). Ironically, depicting everyday common elements and objects is what made Gary Hume and his great work truly stand out From a distance, because of the glossy paint used by Hume, the painting has the appearance of a reflective red monochrome surface. Open doors, swinging doors and melamine institutional doors all mark the early work of painter Gary Hume as variations on a theme colourfully demonstrating the inventive imagination of the artist. © 2013-2020 Widewalls | Another painting of institutional doors made in the same year is titled Dream (private collection). Paler pink, rectangular areas stand out from the background darker pink, delineating panels within the doors. Via his colorful and kitsch work that is one of the finest and mildest examples emerging from the oftentimes extreme arts of the YBA, Gary explores the dualities of our nature, investigating such notions as desire, repulsion, sexuality and innocence[1]. "Cave Paintings," the title of his most recent show at White Cube, featured seven marble tableaux composed of a variety of different stones set against each other in collaged sections that appear like tectonic plates. Gary Hume: Door Paintings. Seemingly abstract compositions, rendered in high-gloss, commercial house paint, inspired by the institutional, swing doors of St. Bartholomew’s hospital in London’s East End. Gloopy, glossy industrial interior paint is the medium here, spread so thickly at times that you can see the indentation of the paint brush and the flow of the brush stroke. The doors on display here - some made of MDF, some on canvas - originate from a template based on the port-holed double doors of a hospital ward at Bart's, London. Interestingly, Hume revisited his Door pictures in 2005 when he started arranging them into pairs of lovers and giving them the titles The Couple and The Argument. Gary Hume first returned to his ‘Door’ paintings in 1998 with a temporary external commission for the Hayward Gallery, London.

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